• Upcoming Trips and Events

  • NONE BOOKED AT THE MOMENT

  • plays and concerts

  • March 21 2024 - LLOYD Altman concert (See blog post)

  • January 27th - Saw a first-class revival of Tennessee William's "The Night of the Iguana" at the Pershing Square Signature Theater. The set, lighting and acting were all great! The cast, in particular, sustained three hours of dramatic dialogue without fault.

  • January 14, 2024. With the sincerest of thanks to Ally, close friend of Christine, who gave us tickets which she was unable to use herself, we were able to see the Met's latest production of Madama Butterfly. The production requires the high skills of about twenty puppeteers, three of whom are dedicated to manipulating Cio-Cio-San's toddler! This, they do with an amazing degree of reality, including gestures such as tugging at his mother's dress and jumping into her arms! There is a snag, however; puppeteers require near invisibility in order to make their work convincing. Dressed from head to toe in black, they need a very low light to hide in. The set designer's solution was to build a black-painted stage, sloping back and upwards. The producer had his characters enter the stage from the back of this hill in dramatic lighting, while the puppeteers moved at will in the gloom below. But, it was not the Puccini I knew so well and was moved by since I saw the Sadler's Wells production some seventy years ago! The arias were there and the pathos and emotions still evident, but my overall feeling was that the music was playing second fiddle to the visual fireworks!

  •                                            

  • November12, 2023. Saw the finest revival I have seen in New York for many a year! It was Bernard Shaw's "Arms and the Man" put on by the Gingold Theatrical Group at Theatre Row. It was directed by David Shaller (godson of Hermione Gingold) who had his cast come to the front of the stage at each scene to explain to the audience the action to follow. Shaw's humour never missed a beat--The audience was in stitches from beginning to end!

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Alan Gilbert conducts, and Fireworks ensue!

On a beautiful summer’s evening, maestro Alan Gilbert conducted the first of the New York Philharmonic’s concerts in Central Park–It was a blanketed-out performance!

In introducing the program, the maestro substituted a subdued Samuel Barber piece for the advertised opening, ‘Overture to the Thieving Magpie’, in honor of the victims of the Orlando shooting. This was followed by Mozart’s ‘Concerto for Clarinet and Orchestra’. The soloist was Antony McGill, clarinetist, who gave a truly masterly performance. And, after the intermission, Concertmaster Frank Huang, violinist, played the solo part of R. Strauss’s ‘Ein Heldenleben’ to a an highly motivated young audience.

Almost as soon as the maestro lowered his baton the fireworks burst forth behind us!.

Click on the pictures for the best detail

The temporary stage at the top of the 'Great Meadow'.

The temporary stage at the north end of the ‘Great Lawn’.

 

The hoards rest upon their blankets and feast before the music starts

The hoards rest upon their blankets and feast before the music starts

 

Blanket markers away! As soon as the last member of a party finds the right blanket among the seething mass, the markers (balloons) are released.

Blanket markers away! As soon as the last member of a party finds the right blanket among the seething mass, the markers (balloons) are released into the sky.

 

Alan Gilbert introduces the program.

Alan Gilbert introduces the program.

 

. . . .he conducts while Antony McGill prepares to join in . . . . .

. . . .he conducts while Antony McGill prepares to join in . . . . .

 

. . . here they are acknowledging the applause of the ecstatic audience.

. . . here they are acknowledging the applause of the ecstatic audience.

 

Dusk brings a fairyland backdrop to the Great Lawn . . . . .

Dusk brings a fairyland backdrop to the Great Lawn . . . . .

 

 . . . focused version. . .

. . . focused version. . .

 

. . . .psychedelic version . . .

. . . .psychedelic version . . .

 

The fireworks opened with an atomic explosion . . .

The fireworks opened with an atomic explosion . . .

 

. . . continued with a celestial candelabra . . . .

. . . continued with a celestial candelabra . . . .

 

 . . . . a star burst . . . .

. . . . a star burst . . . .

 . . . . a sunburst . . . .

. . . . a sunburst . . . .

 . . . and ended with an exploding chrysanthemum. All without the aid of a tripod!

. . . and ended with an exploding chrysanthemum. All without the aid of a tripod!

THE END

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