• Upcoming Trips

    Feb-March None booked as yet
  • theatre and Concerts

    February 26. Saw concert versions of two my favourite Puccini operas at the MSM: La Rondine (Act I) and Gianni Schicchi. Both made the very most of the small stage and were cleverly directed by Kenneth Merrill from the side of the auditorium. The young cast had an hilarious time putting on the show – and so did  we!

    March 2. Saw “Twelve Angry Women”, a play on the well-travelled jury deliberations theme, at the Producers Club. It is fast moving, ding-dong exchange of ideas with “whodunnit” detective analyses interspersed. Sadly, only one of the twelves actresses really could project; the others could not, for the most part, be heard clearly enough for our old ears to pick up the nuances of the dialogue, even in the  Club’ s intimate auditorium.

    March 3.  Carnegie Hall hosted Edith Monaco in a solo piano recital on Sunday evening. She played a nice, but not too exciting,  programme  ending with Moussorgsky’s “Pictures at an exhibition”. She seemed  totally concentrated on the accuracy of her playing and did not glance at, or turn the page of, the music in front of her.

    March 20. The MSM celebrated Pincus Zukerman’s 70th birthday and the 25th anniversary of his ‘Performance Program’. It was an extraordinary musical event: an awesome display of the incredible young talent that the Master and the MSM have nurtured.

    Of the solo violinists performing, the most exciting, for me, was  Jesus Reina who chose pieces by Paganini and played them in a manner reminiscent of Sarasate. But the highlight was Bach’s ‘Concerto for Two violins’; for the first movement, Mr. Zukerman led in his 12 year-old protégé, Nathan Gendler who played opposite the Master with the absolute confidence of an old hand who had begun his concerting at the age of six!

    For the second movement, Pincus Zukerman led in SoHyun Ko, a young lady of sixteen. She played her part with equal talent and confidence.

    The two youngsters played the third movement  by themselves (The Master staying off-stage while they wowed the sold-out audience!).

    The programme ended with Mr. Zukerman conducting the MSM Symphony Orchestra in Dvorak’s ‘Slavonic Dances’ and everybody (Orchestra and audience alike) singing him “Happy Birthday”!

     

     

     

     

     

  • Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 54 other followers

  • Follow Thompson's Travels on WordPress.com
  • Advertisements

Like Life at the Met Breuer

During Susan’s brief visit, we took the Q train to 72nd Street and thence to The Breuer on Madison. I was particularly anxious to see the exhibit of sculpture from across the last 500 years in light of the #metoo activism which supposedly influenced the exhibition. Gone were the voluptuous curves of the classical portrayals of the female form by the old masters – here they were replaced by stark realism and over-literal detail. Even including an autopsied carcass with distinctly unsexist organs on public display! Enlarge the  pictures for detail:

Patrons pondering a potato lady

 

Potatoes?

 

Sexist image?

 

Modern Miss

 

Everything in its right place?

 

. . . of course!

 

The years hang heavy!

 

. . . . the same lady, all dressed up . . .

 

Office discussion

 

This exhibit is interesting but seems a little odd in the context

 

. . . as does this one . . .

 

Beautifully carved marble detail of one of the more traditional forms.

 

The traditionally moulded backside of the figure above!

 

THE END

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.