• Upcoming Trips and Events

  • NONE BOOKED AT THE MOMENT

  • plays and concerts

  • March 21 2024 - LLOYD Altman concert (See blog post)

  • January 27th - Saw a first-class revival of Tennessee William's "The Night of the Iguana" at the Pershing Square Signature Theater. The set, lighting and acting were all great! The cast, in particular, sustained three hours of dramatic dialogue without fault.

  • January 14, 2024. With the sincerest of thanks to Ally, close friend of Christine, who gave us tickets which she was unable to use herself, we were able to see the Met's latest production of Madama Butterfly. The production requires the high skills of about twenty puppeteers, three of whom are dedicated to manipulating Cio-Cio-San's toddler! This, they do with an amazing degree of reality, including gestures such as tugging at his mother's dress and jumping into her arms! There is a snag, however; puppeteers require near invisibility in order to make their work convincing. Dressed from head to toe in black, they need a very low light to hide in. The set designer's solution was to build a black-painted stage, sloping back and upwards. The producer had his characters enter the stage from the back of this hill in dramatic lighting, while the puppeteers moved at will in the gloom below. But, it was not the Puccini I knew so well and was moved by since I saw the Sadler's Wells production some seventy years ago! The arias were there and the pathos and emotions still evident, but my overall feeling was that the music was playing second fiddle to the visual fireworks!

  •                                            

  • November12, 2023. Saw the finest revival I have seen in New York for many a year! It was Bernard Shaw's "Arms and the Man" put on by the Gingold Theatrical Group at Theatre Row. It was directed by David Shaller (godson of Hermione Gingold) who had his cast come to the front of the stage at each scene to explain to the audience the action to follow. Shaw's humour never missed a beat--The audience was in stitches from beginning to end!

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Carving

I have, at last, completed a panel which I started to carve about thirty years ago when Dorothy and I moved into the Waterford. I had finished decorating the living room and Dorothy had topped it off by sewing drapes for the balcony doors. It turned out, though, that woodcarving was far too messy a process for apartment dwelling–the chips got everywhere We decided that our art education was better done in a studio and that is when we joined The National Academy; me, to take up sculpting and Dorothy to her oil painting.

This summer allowed me almost unlimited access to the balcony where wood chips could fly away into the breeze (beyond my conscience). A couple of snags, however; my carving skills and the muscles needed to sustain them, required a rapid reworking and error correction, and, more importantly, it became plain that my eyesight was nowhere near as accurate as it used to be. The result is somewhat labored and amateurish but, I am now calling it finished and am reasonably satisfied with my late-career effort–a memorial to  all the work we had put in thirty years ago when Dorothy and I planned to stay only five years before we moved to sunnier climes.

 

City view from 41B

 

 

 

7 Responses

  1. Hello Ben, I am trying to reach you about your POW post … lovely carving!

  2. Well done Ben. You and Dorothy were quite the sophisticates, a lovely memory.

  3. Ben, I enjoyed your post on finishing your 30 year carving project. Your love of Dorothy and your wonderful life experience in Manhatten is reflected in the carving. I look forward to seeing it on my next visit. I was also surprised to learn that you planned to leave New York after five years.
    Cheers, Craig

    • Craig. Dorothy and I thought that we would have exhausted the delights of Manhattan in five years or so–then we planned to move to a sunny beach village with an opera house and an airport nearby. We never found such a combination which could draw us away from Central Park and the 92nd Street “Y” Cheers! Ben

  4. I am very impressed with your wood carving… I would not have guessed or see any errors. Congratulations, you’ve done another fine job!
    Nereida Munoz

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