• Upcoming Trips and Events

  • NONE BOOKED AT THE MOMENT

  • plays and concerts

  • April 24th, 2024. The Worst Cafe in the World' See blog post for details . . . .

  • April 21, 2024. Went to an all-Mozart concert at St.Thomas More Church at 65 East 89th street. It featured the St. Thomas More Church Choir with the Church's organ and a string quartet. A very nice way to spend a Sunday afternoon!

  • April 27th, 2024 Went to the MSM''s production of Puccini's "La Rondine". In many ways it is my favourite opera. The music still haunts me as it used to do in youthful times. This production, as always at the MSM, was so enjoyable. The cast played their parts with tremendous enthusiasm, the costumes were excellent and the voices quite professional!

  • March 21 2024 - LLOYD Altman concert (See blog post)

  • January 27th - Saw a first-class revival of Tennessee William's "The Night of the Iguana" at the Pershing Square Signature Theater. The set, lighting and acting were all great! The cast, in particular, sustained three hours of dramatic dialogue without fault.

  • January 14, 2024. With the sincerest of thanks to Ally, close friend of Christine, who gave us tickets which she was unable to use herself, we were able to see the Met's latest production of Madama Butterfly. The production requires the high skills of about twenty puppeteers, three of whom are dedicated to manipulating Cio-Cio-San's toddler! This, they do with an amazing degree of reality, including gestures such as tugging at his mother's dress and jumping into her arms! There is a snag, however; puppeteers require near invisibility in order to make their work convincing. Dressed from head to toe in black, they need a very low light to hide in. The set designer's solution was to build a black-painted stage, sloping back and upwards. The producer had his characters enter the stage from the back of this hill in dramatic lighting, while the puppeteers moved at will in the gloom below. But, it was not the Puccini I knew so well and was moved by since I saw the Sadler's Wells production some seventy years ago! The arias were there and the pathos and emotions still evident, but my overall feeling was that the music was playing second fiddle to the visual fireworks!

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  • November12, 2023. Saw the finest revival I have seen in New York for many a year! It was Bernard Shaw's "Arms and the Man" put on by the Gingold Theatrical Group at Theatre Row. It was directed by David Shaller (godson of Hermione Gingold) who had his cast come to the front of the stage at each scene to explain to the audience the action to follow. Shaw's humour never missed a beat--The audience was in stitches from beginning to end!

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Introduction

The Memoirs of: bwthompson@lifeline/nr.end/hom.sap

(Full chapter index below right)

What manner of ego motivates an autobiographer, I wonder? Is there any justification for encumbering the minds of unsuspecting readers with memories of events which shaped one’s own life? Certainly, yesterday’s movers and shakers were confident that their successes improved the fate of mankind; that their failures were the fault of others; and thus owed posterity a duty to set down their version of history before the revisionists of the next generation got at it. My own view is that the passing decades, centuries and millennia will prove them wildly mistaken. Winston Churchill, for example, would he have waxed so eloquent if he had foreseen that the net result of his successes would be the impoverishment of Britain? That Germany and Japan, the very enemies the Brits expended so much of their wealth and blood to defeat, were soon to become the its economic masters, second only to the United States? And take Karl Marx and his monumental effort to devise a perfect social system which would function without the aid of human nature–would he have bothered if he had known that his most famous disciple, Joseph Stalin, would use it to murder a million of his own people and grind the rest into fearful poverty? Or would give rise to a Pol Pot or a ‘gang of four’?

But, what of the mass of ordinary people? Without them, the movers and shakers would not have much to move and their shaking would be fruitless. Tiny, as they may be, the contributions each of us makes, become the totality of the history of man’s existence, and the absence of even one alters the end result! Are the lives and tribulations of the common man of any interest though? They determine Homo sapiens’ path to glory or extinction, so the answer ought to be “yes”. But the common man has rarely been able to express his innermost thoughts in the past, let alone commit them to paper. He agonizes inwardly over his failures–“If only” starts many a long train of introspection. He is secretly proud of his successes; the little manoeuvres he performed in order to improve the lot of his family and himself; the backing he gave to friends and family in times of stress; his passing-on of his values and his pride of craftsmanship; his survival even; all give him a feeling of inner satisfaction. A feeling that he has, after all, changed the cutting-edge direction a little.

Why, then, should his flower be left to blush unseen now that technology has given him the chance to set down his thoughts with ease? The computer, chat rooms, web-pages and e-mail have released him from the bondage of silent acceptance–He may not command the attention of the masses but still, the satisfaction of engaging in the dialogue, even if it is only among his intimate circle of friends and family, is much the same as that of those power-wielders monopolizing the headlines. It may be a matter of degree, but, in the end, it is the individual’s own ego which senses achievement and failure.

In my case, my memories and perceptions are my very own. I have disdained all research—I like my memories and conclusions as they are. In putting them to paper, I have been guided somewhat by the adage: ‘Don’t confuse me with the facts–my memory is already made up!’

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